VOICE TRAINING IN ACADEMIC SINGING AND CONTEMPORARY MUSIC

Authors

  • Bakirov Alikhan Togabekovich Bakirov Alikhan Togabekovich

Keywords:

The register of the singing voice is understood as a series of sounds produced by a single physiological mechanism. The register structures of men's and women's voices are different. Men's voice has two registers - chest register, falsetto register and a passing register. And women's voices have a transition point to three registers - chest, central and head registers.

Abstract

Proper opening of the mouth when singing helps the voice sound better and ensures pronunciation accuracy. Lips are somewhat standardized in their position. The soft palate plays an important role in singing. As a result of its rise, the voice sounds in a higher position.

References

Abdullaev R. Opera dramaturgy. Tashkent. 2007.

Begimatov S. Mamirov Q., Mansurov A., Karimova D, Roziyev I. Music textbook for 6th grade. G. Gulam Literature and Art Publishing House. Tashkent 2001

Jabborov A. Genres of music, drama and comedy. In the creativity of Uzbek composers. Tashkent. 2000.

www.edu.uz

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Published

2024-02-01

How to Cite

Bakirov Alikhan Togabekovich. (2024). VOICE TRAINING IN ACADEMIC SINGING AND CONTEMPORARY MUSIC. INNOVATIVE DEVELOPMENTS AND RESEARCH IN EDUCATION, 3(25), 507–511. Retrieved from https://interonconf.org/index.php/idre/article/view/11276

Issue

Vol. 3 No. 25 (2024): INNOVATIVE DEVELOPMENTS AND RESEARCH IN EDUCATION

Section

Articles

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This work is licensed under a Creative Commons Attribution 4.0 International License.